Author Archives: Kail Walters

About Kail Walters

I'm a graduate of the Journalism Broadcast program at Conestoga College where I produced stories for SpokeTV and CJIQ 88.3FM. During that time I even got the pleasure of interviewing Canadian paralympian Tyler Mosher at the Sochi 2014 Olympics. Prior to going to school I volunteered my time with CFRU 93.3FM in Guelph, Ontario. When I have time, one of my favourite things is to make short freelance radio documentaries about music history and culture. Otherwise, I like to spend my free time learning music, immersing myself in all things geek, researching and showing people pictures of my pets.

Music Review: RELAXER – Alt-J

alt-J - Relaxer (2017)

Within hours of the official release there were people placing their reviews on the third studio album by Alt-J. I’ve tried to avoid reading too much and have taken the past day or so to judge the album fairly. What reviews I have heard of definitely were very mixed, yet I couldn’t get a physical copy of the CD in store. So this is based off of my digital copy.

Album Art

I saw the cover art for RELAXER about two months ago and started to get the feeling that this album would be taking different route. The cover imagery is very clearly digitally rendered and features the pixelated bloodpool of a man (humanoid?) on a road. This picture is surrounded by a thick black border which really stands out in comparison to the colourfulness of An Awesome Wave and This Is All Yours. Trying to get a bit more of a feel on what to expect I went to the band’s site and found a game. If you explore around this trippy landscape a bit you can find pictures of the band, links to tracks, samples and unusual scenes. In general, it is a bit unsettling – RELAXER without a doubt was not going to be a repeat of the previous albums.


One of the places in the game with writing on the walls.


I really liked the opening track, 3WW”, when it was uploaded in March and I still like it now. The song and video are very much what you’d expect out of an Alt-J tune so you don’t need to do a double take of what you are listening to. I have to admit, this track made me feel like maybe I was wrong about this album being as different as I was anticipating.

“In Cold Blood” has a lot more energy to it and will definitely be a great one to hear live. It incorporates every element of an Alt-J hit – lalas and repeated words included. However, I did notice toward the end there is a very video game-esque synth playing scales. I’m honestly surprised this wasn’t the first single off of the album.


Released as more promotional content with the single.

The third track is “House of the Rising Sun” and I can’t say it’s a track I ever expected the band to cover. The video game styled synth carries into this track quietly to make a somber but dreamy rendition of the classic song. The symphony of strings feels like it is lulling you into a gentle sleep.

“Hit Me Like That Snare” is by far the riskiest track on the album. It is rough, punky and sounds like a track your local college band would write. “Hit Me Like That Snare” does provide some more insight into why the particular album art was chosen and although, not my personal favourite on the album, I appreciate the experimentation into new sounds.

“Deadcrush” pulls everything into the classic Alt-J sound and sounds reminiscent of This Is All Yours. After listening to a few times and looking a bit more into some recent interviews, this track was actually written around the time of that album. Given the prominence of the darker bass beat in the song, I can see how it would just be a little out of place if put on the same album as “Nara” and “Pusher”.

Track six is another very familiar sounding song and opens with beautiful harmonies and tells a story of a tasmanian devil who falls in love with a woman. “Adeline”, for all its familiar sounds and story telling is a creeping into something new for the band. This track also features an adapted melody from Hans Zimmer’s Thin Red Line soundtrack!


Screen grab from the official audio upload of Adeline.

 “The Last Year” is an apologetically sad track. What makes it so sad? It is about the narrator’s descent into depression and death with a guest vocalist singing at the funeral. I couldn’t find anything on if this is directly related back to an event in Gus Unger-Hamilton’s life. Although the track is very tragic, it conveys feelings of yearning and heartbreak.

The final track, “Pleader”, rounds out the album and is a symphonic mixture of all the sounds featured on the album. From the sad guitar and ominous organ to drawn out strings and choir harmonies, it makes for a suitable closer. I am curious to see if this song is a true reflector as to where the band’s sound is going.

Top tracks

“In Cold Blood”“The Last Year” and “Pleader:

Final Impression


The tracks unfortunately didn’t flow together as nicely as their prior albums and left it feeling like it was put on shuffle, it just didn’t feel like it was organized in a specific way. My only major conflictions are “House of the Rising Sun” and “Hit Me Like That Snare”I would have preferred on an 8-track album for there to be more original music and the sound of the second track just didn’t grow on me. As that track said though – “F*** you, I’ll do what I want to do”, so touche Alt-J.

From the lack of flow to the album, it’s obvious that a lot of different ideas and thoughts are being tossed back and forth. To me, RELAXER is a stepping-stone for something new and that is exciting. One of the hardest things to do is to attain success and break away from that sound in order to grow further as artists – it is so easy to just do the same thing again and again. Overall, I thought this album was good and the parts that did work, out weighed the bad. I am excited for when they start releasing more tracks of where this new sound is headed.

Comic Review: The Complete Ouija Interviews

Over the weekend I went on my yearly pilgrimage to the Toronto Comic Arts Festival (TCAF). As is my usual protocol, I throw my money at anything that catches my eye. My first purchase was a comic by Sarah Becan called The Complete Ouija Interviews and published by Shortpants Press in 2010.

What immediately stood out to me at first was the felt weave cover in soft neutral tones. There was some minor bends to the corners as I am a Sunday shopper but somehow this made the book stand out more to me. Of course the artwork of the tiny adorable ghost caught me too.

Inside are four ouija interview sessions conducted by her brother, Jeff Becan in Massachusetts. Although short, each story conveys many emotions finding humour and acceptance in otherwise unfortunate situations. The border art from the cover is also present on every page which is a nice touch and ties it in like a neat little package.

Would I say this short mini comic is worth your $10? Definitely! Outside of the pretty yet simplistic art style, it does create for an interesting conversation starter regardless of whether you believe in Ouija boards and ghosts or not. Plus, if you are lucky, perhaps Sarah will sign your copy and add in another cute little ghost friend.

You can purchase a copy of Sarah Becan’s book here.

Tonight’s Playlist

Here Is The House – Depeche Mode

All Glory – Southern Death Cult

Yr Body Is Nothing – Boy Harsher

Cynara – Clan of Xymox

Hate Is A 4 Letter Word – Shock Therapy

Sleepless – Opale

A Short Term Effect – The Cure

Other Voices – The Cure

Pain – Boy Harsher

When That Head Splits – Esben and the Witch

Six Bells Chime – Crime and the City Solution

Behind the Wheel – Depeche Mode

Isolation – Rorscach Garden

Damaged Goods – Gang of Four

Harmony In My Head – Buzzcocks

Dance With Me – Lords of the New Church